NOTICE OF ART SALE
2 July, 2026
/
PLEASE NOTE WE WILL BE SELLING A COLLECTION OF VICTORIAN WATERCOLOURS AND OTHER WORKS OF ART AT 1.30PM ON THURSDAY 30TH JULY 2026
TO INCLUDE WORKS BY - W J J C BOND, OLIVER RHYS, DAVID COX JR, EVA HOLLYER, WYCLIFFE EGGINGTON & OTHERS...
Please Note: Not in Lot/Catalogue Order
| Inventory ID | Artist Name | Description | NOTES |
| ART 1 | DAVID LAW(1831–1901) Scottish watercolour painter and etcher | A PAIR OF VICTORIAN,ETCHINGS BY DAVID LAW -SIGNED IN PENCIL BY THE ARTIST BOTTOM RIGHT 'DAVID LAW' -NOTED 'LONDON PUBLISHED DEC.1ST 1897 BY ROBT DUNTHORNE 5 VIGO STREET, LONDON W (1) TITLE TO REAR - ORIGINAL DUNTHORNE LABEL - 'FARNDON BRIDGE CHESTER -ORIGINAL ETCHING --STATE: FIRST. (2) TITLE TO REAR ORIGINAL DUNTHORNE LABEL - 'ECCLESTON CHURCH CHESTER -ORIGINAL ETCHING- STATE:FIRST | OAK FRAMED & GLAZED WITH GILT INSERT AND CARD MOUNT - FRAME: 54X43CMS - TO MOUNT:32X22.5CMS |
| ART 2 | FRED SLOCOMBE (Frederick Albert Slocombe) 1847-1920 | A LARGE OAK FRAMED VICTORIAN ETCHING BY FRED SLOCOMBE - SIGNED IN PENCIL BY THE ARTIST BOTTOM LEFT 'FRED SLOCOMBE' - NOTED: 'LONDON PUBLISHED DEC.1ST 1897 BY ROBT DUNTHORNE 5 VIGO STREET, LONDON W' - TITLE TO REAR-ORIGINAL DUNTHORNE LABEL - 'THE KNOLL TAPLOW'-ORIGINAL ETCHING-STATE: FIRST | OAK FRAMED & GLAZED WITH GILT INSERT AND CARD MOUNT - FRAME: 82.5X62.5CMS - TO MOUNT:55X35 CMS |
| ART 3 | EUGENE BEJOT (1867-1931) French Etcher & Dry point Artist | AN OAK FRAMED ETCHING BY Eugène Béjot, SIGNED BOTTOM LEFT BY THE ARTIST,DATED WITHIN THE PICTURE 1919.- TITLE TO REAR ON ORIGINAL J M HARRISON LABEL- 'EUGENE BEJOT RE, 'IN HOLLAND' STATE: FIRST ONLY 60 COPIES ISSUED. | OAK FRAMED & GLAZED WITH GILT INSERT AND CARD MOUNT - FRAME: 31.5X34CMS - TO MOUNT:20,5X13.5 CMS |
| ART 4 | LE BLOND & CO, Abraham Le Blond | A PAIR OF LE BLOND OVALS BAXTER METHOD PRINTS -ENTITLED 'MAY DAY' & 'SNOWBALLING' THE LATTER ALSO MARKED 'L A ELLIOT & CO, BOSTON U.S.' | BOTH GILT FRAMED WITH CARD MOUNT -FRAME: (1) SNOWBALLING -25CMSX21.5CMS (2) MAY DAY -24X20.5CMS -PRINTS OVAL BOTH 16.5CMS AT WIDEST TO MOUNT |
| ART 5 | ARTHUR HARRISON (d.1922) Archtiect & Painter R.B.S.A 1918 -Exhib 1903-22 (RSBA 11, RA1) | A FRAMED WATERCOLOUR BY ARTHUR HARRISON-SIGNED BOTTOM LEFT - ENTITLED 'GATHERING THE HARVEST' SHOWING A WHEAT SHEAFS BEING GATHERED BY A HORSE AND CART IN A RURAL SETTING WITH COTTAGE, TREES AND HILLS - | GILT FRAMED WITH STENCILLED CARD MOUNT - FRAME:57X72CMS - TO MOUNT 35.5X53CMS |
| ART 6 | ARTHUR HARRISON (d.1922) Archtiect & Painter R.B.S.A 1918 -Exhib 1903-22 (RSBA 11, RA1) | A FRAMED WATERCOLOUR BY ARTHUR HARRISON-SIGNED BOTTOM LEFT - UNTITLED - RURAL SCENE OF A PACK BRIDGE CROSSING A RIVER WITH A CHURCH SPIRE RISING BEFORE HILLS, CATTLE GRAZING ON FIELDS EITHER SIDE OF THE RIVER | GILT FRAMED WITH STENCILLED CARD MOUNT - FRAME:57X72CMS - TO MOUNT 35.5X53CMS |
| ART 7 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | A FRAMED OIL ON BOARD PAINTING BY W J J C BOND,SIGNED CENTRAL BOTTOM LEFT, DEPICTING A FISHING BOAT AT LOW TIDE ON A BEACH, WITH FIGURES ON THE BEACH AND IN THE BOAT FROM A SERIES ENTITLED UNLOADING THE CATCH, MOUNTED IN A HEAVY ROCOCO GILT FRAME- DATED TO FRAME 1879 | GILT FRAME WITH GILT MOUNT- FRAME: 53X43CMS TO MOUNT:29X18.5CMS |
| ART 8 | GUSTAV KLIMT (1862-1918) | THREE FRAMED PRINTS FROM KLIMT'S BEETHOVEN FRIEZE - MODERN FRAMED PRINTS IN WHITE WOOD FRAMES - EACH MARKED BOTTOM LEFT - 'SECESSION GUSTAV KLIMT DER BEETHOVENFRIES, LEIHGABE DER OSTERREICHISCHEN GALERIE BLEVEDERE (1) THE KISS TO THE WORLD. (2) THE ARTS (3) CHORUS OF PARADISE (In 1902, Klimt painted the Beethoven Frieze for the Fourteenth Vienna Secession exhibition in celebration of 75th anniversary of the composer Beethoven's death, the frieze was painted directly on the walls) | WHITE WOOD FRAMES - EACH - FRAME:84X64CMS - PRINT TO FRAME -EACH - 79X59CMS |
| ART 9 | AFTER JOSPEH MALLORD WILLIAM TURNER (1775-1851) | FRAMED WATERCOLOUR 'A VILLAGE FAIR - FIGURES AT A BUSTLING FAIR, WITH CHURCH SPIRE AND HOUSES BEYOND - MARKED TO MOUNT 'J M W TURNER' - | GILT FRAME WITH DOUBLE MOUNTS - FRAME 37X32.5CMS - TO MOUNT: 21X14.5CMS |
| ART 10 | ATTRIBUTED TO ALFRED EDWARD CHALON (1780-1860) | FRAMED WATERCOLOUR OF FIGURES IN HISTORICAL DRESS IN A ROCKY LANDSCAPE, POSSIBLY ACTORS - UNSIGNED, LABEL TO REAR STATES J DAVEY & SONS A E CHALON RA 1780-1860 - | GILT FRAME WITH DOUBLE MOUNTS - FRAME:34X28CMS - TO MOUNT: 18CMSX11CMS |
| ART 11 | EMILIO BONI (1844-1867) | FRAMED WATERCOLOUR OF A VENETIAN CANAL SCENE BY E BONI S-IGNED BOTTOM LEFT WITH DETAILS TO THE MOUNT - ' VENETIAN CANAL - E BONI', SHOWING SAIL BOAT AND GONDOLA MOORED ON A VENICE CANAL, WITH PROPERTIES EITHER SIDE - | GILT FRAME WITH MOUNT -FRAME:48X33CMS -TO MOUNT: 30X15CMS |
| ART 12 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | A FRAMED OIL ON BOARD PAINTING BY W J J C BOND,SIGNED CENTRAL BOTTOM LEFT, NEAR ST ASAPH A RIVER VIEW, DEPICTING A MEANDERING RIVER, WITH A FISHERMAN, A FIELD AND TREE LINED WOOD TO THE LEFT AND A TOWER IN THE DISTANCE MOUNTED IN A HEAVY ROCOCO GILT FRAME- LABLE OT VERSO BY JOHN H PARIS -'NR ST ASAPH WJJC BOND' ALSO INSCRIBED OT REAR - NR ST ASAPH AUG 1909 WJJC BOND | GILT FRAME WITH GILT MOUNT UNGLAZED- FRAME:69X52.5CMS TO MOUNT:46X30CMS |
| ART 13 | GEORGE STANFIELD WALTERS (1838-1924) | A FRAMED WATERCOLOUR BY G S WALTERS -SIGNED & DATED BOTTOM RIGHT 1875 -A RURAL SCENE WITH FIGURES WALKING ALONG A COUNTRY LANE WITH COTTAGES AND PIGS TO CENTRE FOREGROUND, TREES AND FIELDS BEYOND, A STREAM RUNNING BEFORE A TRACK - | GILT FRAME WITH CARD MOUNT - GLAZED - FRAME:69X48CMS - TO MOUNT 50X28CMS |
| ART 14 | MONGRAMMED 'SHW' | A LARGE FRAMED WATERCOLOUR DEPICTING TWO BEAZLEY LINE TRI-MASTED SAILING SHIPS IN FULL SAIL IN A ROILING SEA BOTH FLYING THE BEAZLEY PENNANT AND WITH THE BRITISH ENSIGN - MONOGRAMMED BOTTOM RIGHT S.H.W. - Gracie Beazley & Company, shipowners1812 - 1937 Though the company assumed its name in 1882 when Edwin A. Beazley joined William Gracie, it traces its origins back to 1845 when it traded under the name of Edmund Thompson & Co., in whose service William Gracie entered as an apprentice in 1859. James Beazley founded the Beazley Line in 1845, owning twenty-eight sailing ships between 1849 and 1875, making regular sailings from Liverpool to Australia and New Zealand. In 1864 he founded and managed the British Shipowners' Co., extending crossings to San Francisco and South America. In 1866 Edmund Thompson & Co., was renamed Thompson, May & Co., becoming Thompson, Gracie & Co., on the admission of William Gracie as partner in 1870, and subsequently renamed William Gracie & Co. Gracie, Beazley & Co. acted as loading brokers for the service of other lines to Australia and New Zealand, including White Star Line, Shaw Savill & Albion, Tyser Line Ltd., and Manchester Australia Shipping Company. |
EBONISED BLACK & GILT FRAME -GLAZED- FRAME:103X60CMS TO EDGE OF FRAME: 98X55CMS |
| ART 15 | A J MAKINSON (ALISTAIR J MAKINSON BR.1961) | WATERCOLOUR -TITLE: 'COTTAGE NEAR BLEASDALE FELL' SHOWING A COTTAGE ON A COUNTRY LANE WITH FELL TO THE BACKGROUND WITH COWS LYING ON THE ROAD | GILDED FRAME WITH DOUBLE MOUNT -FRAME: 48X42CMS - TO MOUNT 31X24CMS |
| ART 16 | W.M HERDMAN | W.M HERDMAN CHROMOLITHOGRAPH MYRTLE STREET LIVERPOOL C.1866, LABEL TO VERSO BOYDELL GALLERIES LIVERPOOL, | BEECH AND GILT FRAME, SINGLE MOUNT TO FRAME APPROX 51CM X 44CM, TO MOUNT 33CM X 28CM |
| ART 17 | HARPERS WEEKLY | FRAMED PRINT OF THE GENERAL VIEW OF THE RUINS, FROM THE WEST SIDE OF WASHINGTON STREET THE OLD SOUTH CHURCH AND THE TRANSCRIPT BUILDING IN THE FORE GROUND -FROM HARPERS WEEKLY 1872 | NEWSPAPER CUTTING, IN GREY MOUNT WITH GILDED FRAME - FRAME: 47X36.5CMS TO MOUNT 36X24.5CMS |
| ART 18 | AUGUSTUS JOHN RA | FRAMED PRINT - PORTRAIT OF A CHILD FROM THE COLLEGE COLLTION OF THE EXETER COLLEGE JUNIOR COMMON ROOM | GILDED FRAME WITH DOUBLE MOUNT - FRAME: 22X28CMS - TO MOUNT: 12X16.5CMS |
| ART 19 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | FRAMED WATERCOLOUR ON PAPER - BT W J JC BOND SIGNED INDISTINCTLY BOTTOM LEFT - TITLED UNLOADING THE CATCH - DEPICTING A FISHING BOAT AT LOW TIDE WITH A MAST AT HALF MAST FIGURES ON A DONKEY LEAVING THE BOAT- DATED TO 1890 | GILDED FRAME WITH SINGLE MOUNT - FRAME49X41CMS TO MOUNT: 31.5X23CMS |
| ART 20 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | FRAMED WATERCOLOUR ON PAPER BY W J JC BOND SIGNED BOTTOM RIGHT - TITLED BIDSTON HILL 1888 - DEPICTING A DARKENING HEATH COVERED LANDSCAPE WITH A WINDMILL TO THE BACK GROUND - BEING BIDSTON HILL, WIRRAL -IT IS STILL THERE TODAY | ANTIQUE GILDED FRAME WITH SOME PIECES ABSENT & SINGLE MOUNT - TO FRAME 54X42.5C,S TO MOUNT34X23.5CMS |
| ART 21 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | FRAMED WATERCOLOUR ON PAPER BY W J J C BOND -TITLE THE GREAT EASTERN AT NEW FERRY ON THE MERSEY 1889 -SHOWING THE HULK OF ISAMBARD KINGDOM BRUNELS GREAT EASTERN -THE WORLDS FIRST IRON HULLED STEAMSHIP - READY FOR SCRAPPING - The pictur shows the ship beached at New Ferry on the River Mersey near Liverpool in 1889, where it was broken up for scrap over an 18-month period. | GILDED FRAME WITH SINGLE MOUNT- GLAZED -TO FRAME 47.4X40CMS TO MOUNT: 30X22.5CMS |
| ART 22 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | FRAMED WATERCOLOUR ON PAPER BY W J J C BOND - TITLED CARDIGAN BRIDGE -SIGNED BOTTOM RIGHT WITH TITLE ABOVE - SHOWING TWO FIGURES FISHING FROM A BANK WITH A PACK BRIDGE (CARDIGAN BRIDGE) AND HOUSES TO THE BACK GROUND | GILDED FRAME GLAZED WITH SINGLE MOUNT - TO FRAME 32.5X28CMS TO MOUNT: 16X11.5CMS |
| ART 23 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | FRAMED WATERCOLOUR ON PAPER BY W J J C BOND - TITLED HAY BARGE SIGNED BOTTOM LEFT - SHOWING AN INDISTINCT SAILING BOAT WITH RAISED SAIL AND A FIGURE IN A SMALL BOAT TO THE SIDE -GIVING THE FEEL OF A MISTY SCENE | GILDED FRAME -GLAZED AND SINGLE MOUNT TO FRAME:36X31CMS - TO MOUNT: 20X14CMS |
| ART 24 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | GILDED FRAME -GLAZED AND SINGLE MOUNT TO FRAME:36X31CMS - TO MOUNT: 20X14CMS | |
| ART 25 | HARRY CLOWS (BR.1941-2001) | A FRAMED & GLAZED SIGNED LIMITED EDITION PRINT BY HARRY CLOWS BEING No. 149/500 –TITLED: TOPSAIL SCHOONER AT BARMOUTH HARBOUR 1800-1860 SHOWING FULL RIGGED SAILING SHIPS AT ANCHOR IN THE MAWDDACH ESTUARY IN WEST WALES - SIGNED BOTTOM RIGHT NUMBERED BOTTOM LEFT | GILDED FRAME -GLAZED AND SINGLE MOUNT TO FRAME:80X67CMS - |
| ART 26 | HARRY CLOWS (BR.1941-2001) | A PAIR OF FRAMED AND GLAZED SIGNED LIMITED EDITION PRINTS BOTH BEING NO. 149/500 TITLED: SCHOONERS ENTERING THE MOUTH OF THE RIVER MAWDDACH 1800-1860 & LEAVING THE BAR FOR THE OPEN SEA - SHOWING FULL RIGGED SAILING SHIPS IN SAIL BENEATH BLUE SKIES WITH SHORELINE IN THE DISTANCE – BOTH SIGNED BOTTOM RIGHT AND NUMBERED BOTTOM LEFT | GILDED FRAME -GLAZED AND SINGLE MOUNT TO FRAME:48X62CMS - |
| ART 27 | HARRY CLOWS (BR.1941-2001) | A PAIR OF FRAMED AND GLAZED SIGNED LIMITED EDITION PRINTS BOTH BEING NO. 77/500 TITLED: BARMOUTH HARBOUR 1820-1850 & UNLOADING AT LOW TIDE AT THE MAWDDACH ESTUARY EARLY 1800'S - SHOWING FULL RIGGED SAILING SHIPS WITH FIGURES ON AND AROUND THE SHIPS – BOTH SIGNED BOTTOM RIGHT AND NUMBERED BOTTOM LEFT | GREY WOOD & GILT FRAMED -GLAZED AND SINGLE MOUNT TO FRAME:48X62CMS - |
| ART 28 | I D WARD | A FRAMED & GLAZED WATERCOLOUR ON BOARD - A WOODCOCK NESTING IN REED WITH TREES IN BACKGROUND -YELLOW WASH EFFECT -SIGNED 'I D WARD' BOTTOM RIGHT TOGETHER WITH A PRINT BY MADS STAGE OF A COMMON SNIPE | BROWN WOOD FRAMED WITH GILT INSET, SINGLE MOUNT 50X40CMS (WARD) - BROWN WOOD FRAMED WITH GILT INSET SINGLE MOUNT 38X32CMS (STAGE) |
| Art 29 | AFTER THOMAS SIDNEY COOPER (BR.1803-1902) | AN IDYLLIC SCENE OF SHEEP AT REST IN A RURAL LANDSCAPE ON A HILLOCK, OIL ON PANEL IN A CONTEMPORARY FRAME | HEAVY ROCOCO GILT FRAME - TO FRAME 25X19CMS -FRAME54X50CMS |
| ART 30 | AFTER THOMAS SIDNEY COOPER (BR.1803-1902) | A PASTORAL LANDSCAPE WITH CATTLE RESTING IN A MEADOW BENEATH A LOWERING SKY, BIRDS IN FLIGHT IN A CONTEMPORARY FRAME | HEAVY ROCOCO GILT FRAME - TO FRAME 25X19CMS -FRAME54X50CMS |
| ART 31 | OLIVER RHYS (BR. 1854-1907) | UNFRAMED OIL ON CANVAS - SHOWING A MOTHER & CHILD SITTING A CLASSICAL GARDEN BENEATH A BLUE SKY, THE MOTHER PROFERING A BUTTERFLY TO HER DAUGHTER SIGNED BOTTOM LEFT PROVENANACE: ADAM PARTRIDGE -LOT 470 5/12/18 | UNFRAMED - 92X71CMS SIGNED OF REPAIR TO REAR |
| ART 32 | HENRY NAPARTUK (CANADIAN INUIT 1932-1985) | EKIMO AND BELUGA FRAMED LINOCUT, SIGNED WITH RED SEAL AND INSCRIBED IN PENCIL | FRAMED & GLAZED IN WHITE METAL FRAME WITH SINGLE MOUNT- TO FRAME:23X15.5CMS FRAME: 37X29CMS |
| ART 33 | IAN HAY (BR.1940-2025) | INDUSTRIAL LANDSCAPE - NOTED TO BACK - 'HORSESHOE ALLEY SOUTHWARK' PASTEL ON PAPER SIGNED 'IAN HAY' BOTTOM RIGHT | A FRAMED & GLAZED FRAME 53.5 X 47 CMS -TO MOUNT: 39X29CMS |
| ART 34 | EVA HOLLYER (1865-1948) | A FEMALE FIGURE IN VICTORIAN DRESS IN A GARDEN SETTING, PICKING FLOWERS - WATERCOLOUR -SIGNED BOTTOM LEFT 'EVA HOLLYER' | FRAMED & GLAZED IN GILT FRAME - FRAME: 54X39.5CMS -TO MOUNT: 36X21CMS |
| ART 35 | EVA HOLLYER (1865-1948) | A FEMALE FIGURE IN VICTORIAN DRESS WITH HAT IN A GARDEN SETTING, READING A NOTE - WATERCOLOUR -SIGNED BOTTOM LEFT 'EVA HOLLYER' | FRAMED & GLAZED IN GILT FRAME - FRAME: 57X39.5CMS -TO MOUNT: 38.5X22CMS |
| ART 36 | AFTER CLARKSON FREDERICK STANSFIELD (1793-1867) | AN OIL ON CANVAS - A RIVER SCENE DEPICTING SEVERAL FISHING BOATS AT ANCHOR IN CALM SEES BEFORE A COSTAL LANDSCAPE ONE UNLOADING KEGS INTO A SMALL DINGHY WITH FIGURES VARIOUSLY ACROSS THE SCENE | A DEEPLY MOULDED GESSO FRAME DECORATED WITH SCROLLS AND FLOWERS - 56X47CMS TO MOUNT 39X29CMS |
| ART 37 | 'Up, Guards, and at Them!', Published as a Supplement to 'Holly Leaves' the Christmas Number of the 'Illustrated Sporting and Dramatic News', Richard Caton Woodville junior together with A FRAMED PRINT FROM THE SUPPLEMENT TO 'HOLLY LEAVES' THE ILLUSTRATED SPORTING AND DRAMATIC NEWS CHRISTMAS NUMBER NOV.30TH 1895 - 'BOUND FOR TRAFALGAR' - NELSON LEAVING PORTSMOUTH FOR THE VICTORY 1805 FROM A PAINTING BY FRED ROE - 97X70CMS | ||
| ART 38 | NAPOLEONS FLIGHT FROM RUSSIA, A 19TH CENTURY SILKSCREEN PRINT FROM A PAINTING BY KHMELMNISKY - DEPICTING NAPOLEONS RETREAT FROM MOSCOW IN 1812 | ||
| ART 39 | AFTER DAVID COX JR. (BR.1783-1859) | A LARGE WATERCOLOUR - DEPICTING A RURAL LANDSCAPE WITH A GROUP OF TRAVELLERS ON A PATH OVERLOOKING A VALLEY UNDER A CLOUDY SKY - MOUNT WITH PRINTED MARK - '1783 -DAVID COX 1859' A FRAMERS NOTE IS ATTACHED TO THE REAR STATING J DAVEY & SONS 44 DUKE STREET LIVERPOOL - ORIGINAL WATER COLOUR BY DAVID COX FROM THE NETTLEFOLD COLLECTION LETTER FROM CHRISTIES CONFIMRING THEIR OPINION AS TO AUTHENTICITY IS PASTED ON THE BACK OF THE PICTURE ITSELF' -WE CAN NEITHER CONFIRMM NOR DENY | FRAMED & GLAZED A CHAMFERED GILT FRAME WITH MOUNTS - FRAME 88X68CMS TO MOUNT 65X45CMS |
| ART 40 | ANON | A VICTORIAN WATERCOLOUR IN UNUSUAL ARCHED MOUNT, DEPICTING A FLOWER SELLER DRESSED IN BONNET & SHAWL -A SYMPATHETIC STYLE SHOWING ANELDERLY WOMAN WITH A BASKET OF FLOWERS OFFERING ABUNCH TO THE VIEWER | FRAMED & GLAZED A DECORATIVE GILT FRAME WITH ARCHED MOUNT -FRAME 68X78CMS - TO MOUNT H: 53X43CMS (at highest point_ |
| ART 41 | GH | A CHARCOAL SKETCH OFA TETHERED COW IN TREELINED FIELD WITH SMALL BIRD TO FRONT RIGHT -SIGNED BOTTOM LEFT 'GH 95' | FRAMED & GLAZED IN A PLAIN OAK FRAME - 45X36.5CMS, TO MOUNT 29.5X20CMS` |
| ART 42 | NORMAN THELWELL (1923-2004) | FOUR SIGNED LIMITED EDITION FISHING PRINTS BY NORMAN THELWELL - BEING 'THE DRY FLY PURIST NO. 82/350', 'BROTHERS OF THE ANGLE NO. 82/350', 'THE COARSE ANGLER NO. 82/350' & 'THE GAME FISHERMAN' 82/350 - ALL BLIND STAMPED AKB PORBABLY ALEXANDER KART & BROTHERS GALLERIES EACH SIGNED 'NORMAN THELWELL' IN PENCIL BOTTOM RIGHT | ALL 3 FRAMED & GLAZED IN LIMED OAK FRAMES EACH FRAME 48X42CMS, TO THE MOUNT 32X37CMS |
| ART 43 | LEOPOLD RIVERS (1852-1905) | A WATERCOLOUR PAINTING OF A COASTAL SCEENE WITH FISHING BOATS ON A SHORELINE, CLIFFS AND FIGURES WITH A FISHERMAN AND HIS WIFE WALKING TOWARD THE SHORE UNDER A LOWERING SKY SIGNED BOTTOM RIGHT LEOPOLD RIVERS | FRAMED & GLAZED IN A BEADED GILT FRAME -FRAME 62X42CMS, TO MOUNT 43.5X 24CMS |
| ART 44 | WILLIAM LAKIN TURNER (1867-1936) | WATERCOLOUR PAINTING SHOWING A SMALL ROWBOAT WITH FIGURES ON A LAKE, SMALL TREE LINED ISLAND AND MOUNTAIN RANGE TO THE REAR UNDER A TWILIT SKY - SIGNED BOTTOM RIGHT INDISTINCTLY AND TITLED 'W L TURNER' 'ON DERWENT WATER' | FRAMED & GLAZED IN A PLAIN CHAMFERED FRAME - TO FRAME: 53X41.5CMS TO MOUNT - 34X23CMS |
| ART 45 | WYCLIFFE EGGINTON (1875-1951) | WATERCOLOUR LANDSCAPE SHOWING CATTLE ON A MOORLAND UNDER A CLOUDY SKY -SIGNED BOTTOM LEFT 'W EGGINGTON' (NOTE TO VERSO - NR. PRINCETOWN, DARTMOOR BY WYCLIFFE EGGINGTON RI WITH A PRINTED LABLE OUTLINING THE ARTISTS ACHIEVEMENTS) | FRAMED & GLAZED GILT FRAME TO FRAME - 54X45CMS, TO MOUNT- 35X26.5CMS |
| ART 46 | ALBERT POLLITT (1856-1926) | A WATERCOLOUR TITLED TO VERSO 'RHYL SANDS' - A SHORELINE OF RHYL NORTH WALES OVER LOOKING THE GREAT ORME, FIGURES STROLLING ACROSS THE SAND WITH THE OUTLINE OF MASTED BOATS TO THE MIDGROUND UNDER A CLOUDY SKY -SIGNED BOTTOM LEFT 'ALBERT POLLITT 1905' | FRAMED & GLAZED IN GILT -TO FRAME 53X44CMS TO MOUNT - 34X24.5CMS |
| ART 47 | WILLIAM CROUCH | WATERCOLOUR ENTITLED VERSO - A VIEW ON THE LAKE GARDA BY WILLIAM CROUCH- A LAKE SCENE WITH FIGURES ON A PATH IN THE FOREGORUND AND A PALACE AND OTHER BULDINGG BELOW MOUNTAINS NEXT TO A LAKE | FRAMED & GLAZED IN GILT, TO FRAME 69X54CMS, TO MOUNT 51X 34.5CMS |
| ART 48 | WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1928) - | FRAMED AND GLAZED WATERCOLOUR DEPICTING VESSELS AT SEA NEXT TO A DOCK, SHIPS IN SAIL WITH VARIOUS CHARACTERS ACROSS THE SCENE, SIGNED BOTTOM LEFT | A HEAVY GILT FRAME WITH GLASS, FLORAL DECORATION TO TRIM, 44.CM.W X 49.5.CM.L, TO MOUNT 22.CM X 27.CM |
| ART 49 | ALBERT POLLITT (1856-1926) | FRAMED AND GLAZED WATERCOLOUR ENTITLED 'A RIVER LANDSCAPE', DEPICITNG RUSHING WATERS THROUGH A VALLEY WITH SHEEP GRAZING IN THE BACKGROUND, SIGNED TO BOTTOM RIGHT, WITH LABEL TO REAR MARKED 'THE LYVER AND BOYDELL GALLERIES' WITH ARTIST NAME AND TITLE | LARGE GILT FRAME WITH GLASS APPROX 80.5.CM.W X 61.CM.L, TO MOUNT APPROX 60.5.CM X 40.CM |
| ART 50 | ANON | FRAMED AND GLAZED CONTINENTAL WATERCOLOUR DEPICTING TOWN SQUARE SCENE WITH TRADITIONAL TIMBER FRAMED BUILDINGS IN THE BACKGROUND AND FOUNTAIN AND MARKET TRADERS IN THE FOREGROUND | HEAVY GILT FRAME WITH GLASS APPROX 92.5.CM.W X 70.5.CM.L, TO MOUNT APPROX 72.CM X 50.5.CM |
| ART 51 | CHARLES WOOLNOTH (1815-1906) (??) | FRAMED AND GLAZED WATERCOLOUR OF AMOUNTAIN SCENE, SNOW CAPPED MOUNTAINS IN THE BACKGROUND WITH COWS GRAZING AND DRINKING FROM THE RIVER TO THE FOREGROUND, SIGNED TO BOTTOM RIGHT WIH BOYDELL GALLERIES LABEL TO REAR | GILTT FRAME WITH GLASS APPROX 47.5.CM X 55.CM, TO MUONT APPROX 56.5.CM X 28.CM |
| ART 52 | PETER DIGGERY | FRAMED AND GLAZED PENCIL SKETCH BY SOUTH AFRICAN ARTIST PETER DIGGERY, ENTITLED 'GARRULOUS GUINEAFOWL' DEPICTING TWO GUINEAFOWL IN THE BUSH SIGNED TO BOTTOM RIGHT | SILVER COLOURED FRAME WITH GLASS APPROX 45.5.CM X 58.5.CM, TO MOUNT APPROX 45.5.CM X 32.5.CM |
| ART 53 | JAMES AGAR (BRITISH 19TH. CENTURY) | FRAMED AND GLAZED WATERCOLOUR OF A SCOTTISH HIGHLAND SCENE ENTITLED 'ON DEESIDE'. DEPICTING MOUNTAINS IN THE CLOUDS WITH CATTLE GRAZING IN A RIVER, SIGNED TO BOTTOM LEFT 'JAMES AGAR 1864', TO REAR THE LYVER AND BOYDELL GALLERIES LABEL WITH WRITING TO TOP LEFT 'ON DEESIDE JAMES AGAR 1868' | GILT FRAME WITH GLASS APPROX 50.5.CM X 66.5.C, TO MOUNT APPROX 37.CM 29.5.CM |
| ART 54 | BRUGMAN | Brugman (Dutch artist who studied in Arnhem and Amsterdam) Winter Scene on a Dutch River Bank In a frosty snowy landscape Peasants go about their business. A lady collects firewood while another stares out to the other bank. And a tradesman goes about his business of repairing the roof. In the background a hunter and his dog talk before setting off. 24” high by 36”, 29.5” high by 41.5” long | HEAVY GILT FRAME WITH SEA SHELL AND FOLIATE MOTIFS WITH NAME PLATE TO CENTER APPROX 74.5.CM X 104.5, TO MOUNT APPROX 59.CM X 89.CM |
| ART 55 | ALAN FRANKS (1932-1986) CHARLES ALAN FRANKS | A GOUACHE OF RENSHAW STREET, LIVERPOOL .C1970- SIGNED BOTTOM RIGHT 'A FRANKS' FRAMED NOTE TO BACK SHOWING A LIVERPOOL THOROUGHFARE IN THE LATE 1960'S EARLY 1970'S WITH ST LUKE'S CHURCH (THE BOMBED OUT CHURCH), ALLIED IRISH BANK, AND LIVERPOOL CATHEEDRAL WITH SCAFFOLDING - HUNG FOR MANY YEARS IN THE ALLIED IRISH BANK RENSSHAW STREET. | A LIGHT OAK FRAME, GLAZED FRAME 59X 77CMS TO MOUNT 60X42,5CMS |
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